With enormous scale and reach, National Football League (NFL) stadiums can be a proving ground for fan experiences that can be applied to all large entertainment venues. As more of these experiences require digital transformation, the costs can rise and generating returns can become more challenging. These technological and social changes have unsettled the role of the stadium in many American lives-and are pressuring those who build and manage stadiums to further differentiate and deliver better fan experiences. 4 As Deloitte’s 2019 Digital media trends survey highlights, people now have an abundance of entertainment literally at their fingertips, vying for their time and attention. 3 Many also watch on the go, getting updates from social media and livestreaming apps rather than committing three hours to watch a game in real time.
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2 Ticket prices are too high for many sports fans who have built comfortable “digital nests” at home with enormous TV screens, surround sound, and access to 24/7 games and commentary. Get the Deloitte Insights appĪnd yet stadium attendance has stagnated. This article is featured in Deloitte Review, issue 26 It’s the subtext that defines so much in our society.Explore considerations for games without fans For these white folks it’s simply understood on a subconscious level. This is not something that “reputable” people explicitly say out loud anymore, but it doesn’t have to be. White people (“us”) are the baseline for people, and Black people (“them”) are less than that. While people tend to be less overt about it these days, this belief certainly persists and underlies so much of modern conservative thinking. It’s a key distinction to make in order to get a better grasp of how white folks give themselves permission to be racist. It’s not a case of racism by way of “we think white people are better than Black people.” It’s racism by way of “we think white people are human, and Black people are animals.” Chester isn’t a human baby - he’s just a cat.Īlso Read: So Who Actually Won in 'Godzilla vs Kong'? These white people simply do not view the Emorys as people. The particular message here is one of dehumanization. But as with everything on “Them,” this sequence is constructed the way it is because it’s trying to tell you something.
Humanity does, indeed, have a long history of doing terrible things to other people and animals alike. This “cat in a bag” deal is not, as far as we know, some common old timey method of torturing animals or people, though considering how much cats dislike being constrained this is no doubt something that at least some people have done. The entire sequence from when the men find Lucky to then end of the scene is just four minutes, but it feels like an hour. Until Henry gets a job in Los Angeles and the whole family can put North Carolina behind them.
The event is so traumatic that Lucky can’t bear to live in that house anymore, and she spends more of her time in the storm shelter out back than she does in the house afterward.
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The woman (Dale Dickey) pets the Emorys’ dog, Sergeant, and is generally just acting like she just randomly wandered over to say hello.īut eventually she stops, because Chester has died and has begun to bleed through the bag.Īlso Read: 'Them': New Amazon Prime Series Is a Lot of Things. Then an older white woman wanders up singing a creepy old song. Lucky (Deborah Ayorinde) is at home in North Carolina alone with Chester, the Emorys’ new baby boy - since Chester isn’t seen on “Them” before this moment, the dread is very real - while Henry and the girls are at a movie. Unfortunately, we do get to see it in this episode. We saw a little bit of these scene at the very beginning of “Them,” but we didn’t see how it played out then. And we also get the story of why the Emorys moved to California thanks to the horrifying “cat in a bag” scene. We start with a pretty lengthy rundown on redlining and other methods of housing discrimination - and see how the deal they made on their house in East Compton is hugely predatory. That’s because this episode is all flashbacks exploring, essentially, how the Emory family ended up where they are. Halfway through the first season of Amazon Prime Video’s “Them,” we finally start to get some answers about what’s really going on in this story. ( Below are details spoilers for “Covenant I,” the fifth episode of the horror series “Them” on Amazon)
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